Wednesday, April 14, 2010

Licence To Thrill Tour



A spectacular singing event " Voices for a Better World Present Licence To Thrill" is going to be held in UK. There will be a live orchestra and schoolchildren will be singing songs from James Bond movies.

Describes the protean nature of Bond villains in a volatile global political scene -from Soviet scoundrels and Chinese rogues in the 1960s to a brief flirtation with Latin American drug kingpins in the 1980s and back to the Chinese in the 1990s. The book explores how the movies struggle with changing societal ethics -notably, in the evolution in the portrayal of women, showing how Bond´s encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himself. The Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema´s history -half the period since the introduction of talking pictures in the late 1920s.

Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.Licence To Thrill is going to be a rocking music event. Licence To Thrill Tickets are available at Sold Out Ticket Market. Get your Tickets for Licence To Thrill and enjoy the event.

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Licence To Thrill Videos







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Licence To Thrill Picture Gallery








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Licence To Thrill in a glance

The James Bond epic is the most popular film series in silver screen history: it is estimated that a quarter of the world´s population has seen a Bond feature. The saga of Britain´s best-loved martini hound (who we all know prefers his favorite drink "shaken, not stirred") has adapted to changing times for four decades without ever abandoning its tried-and-true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetry. James Chapman expertly traces the annals of celluloid Bond from its inauguration with 1962´s Dr. No through its progression beyond Ian Fleming´s spy novels to the action-adventure spectaculars of GoldenEye and Tomorrow Never Dies. He argues that the enormous popularity of the series represents more than just the sum total of the films´ box-office receipts and involves questions of film culture in a wider sense. Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation´s might in a Cold War world where Britain was no longer a primary actor.

Describes the protean nature of Bond villains in a volatile global political scene -from Soviet scoundrels and Chinese rogues in the 1960s to a brief flirtation with Latin American drug kingpins in the 1980s and back to the Chinese in the 1990s. The book explores how the movies struggle with changing societal ethics -notably, in the evolution in the portrayal of women, showing how Bond´s encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himself. The Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema´s history -half the period since the introduction of talking pictures in the late 1920s. Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.


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Licence To Thrill Introduction


A spectacular singing event " Voices for a Better World Present Licence To Thrill" is going to be held in UK. There will be a live orchestra and schoolchildren will be singing songs from James Bond movies.
James Chapman took his BA (History) and MA (Film Studies) at the University of East Anglia and then undertook his doctoral research at Lancaster University, completing his thesis on the role of official film propaganda in Britain during the Second World War. He was also captain of the History postgraduate cricket team when he led them to ignominious defeat against a Staff XI, though claims to have invented the shot now known as the slog-sweep in an attempt to force the pace against the Staff's leg spinner who was illegally recruited from a local club. The match report in Wisden described him as "an elegant and stylish right hand bat, but whose bowling elevated rank incompetence to the level of high comic art".

In 1996 he joined The Open University where he taught a broad range of undergraduate and postgraduate courses and was principal contributing author to the university’s first dedicated course on Film and Television History. He turned down the offer of the England captaincy in order to join the University of Leicester as its founding Professor of Film Studies in 2005.

Professor Chapman’s research focuses on British popular culture, especially cinema and television in their historical contexts. He is interested in the role of the mass media as propaganda, the representation of war and history, and the cultural politics of popular fictions including, but not limited to, James Bond and Doctor Who. His second book, Licence To Thrill, was described by SFX magazine as “intelligent, ludicrous, a bit snobby–bit like Bond, really”. He is a Council member of IAMHIST (International Association of Media and History) and is co-editor of the Journal of British Cinema and Television.


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